Fundamentals
The Only
Rules…
The only rules we must follow are the rules established by the piece, otherwise
all boundaries are negotiable. As free as we wish to be in our art, there are still parameters to be considered. This is true in nature and thus so in the process of composition. The process begins
with examining four basic music elements: Rhythm, Sound, Timbre, and Form.
Rhythmic Illusions
Rhythm is a regularly repeated pattern of long and short sounds over a steady beat, or pulse. As Lou Harrison states, “For every pulse that is sounded, it can also be silent.” This is important to note when creating the rhythmic framework as this is the vehicle carrying your music through time and space.
Sound and Vibration
Sound exists when vibrations from a source travels through the air, water, or wood and is perceived by a person or an animal. These vibrations move as waves and can be low or high in frequency, spanning an array of pitches. Some sounds are simple others quite complex in wave structure. All sounds are available for use. Choose wisely.
Spectrum Realness
Timbre refers to the tone color or quality of a sound. It helps us to identify and differentiate what sound we are hearing, i.e. flute vs. oboe, voice vs, guitar. This is true within a solo instrument as well. The tone color of the flute is very different in the lower register, which is earthy and breathy, as opposed to the upper register which is bright and crisp.
Form and Structure
“Good composition is like a suspension bridge, each line adds strength and takes none away.” Wise words from artist Robert Henri. Boundaries in which to work are necessary. If you do not set them, then you cannot be displeased with the result of an uncontrollable reaction. So, what is form in music? It’s the cage for your freed bird.